GORDON'S FILM AND TV CREDITS -
If
kitschy sci-fi had a music man, it was an opinionated, 98-pound quadriplegic
named Gordon orchestrating the flamboyance. Wouldn’t you know it was
Ed Wood Jr., the undisputed emperor of 1950s schlock horror, who was the
first to harness Gordon’s cheaply delivered wares. His soundtrack,
in fact, winds the drama of Wood’s beloved stinker, Plan 9 From Outer
Space. Just listen to that firebreathing organ. Introduced to a Hollywood
that outsiders would not recognize – the Hollywood populated by freakish
under-heroes and dabblers – my uncle realized what he was doing. Running
postproduction for low-budget dreamers was still better that taking crumbs
from the legitimate side of the industry. Space vampires. Maneating ferns.
Venutian Dr. Strangeloves. Really tall women. Hey, it was a living. It just
wasn’t something you crowed about at starlet-filled cocktail parties.
Here’s a sampling of Gordon’s sci-fi resume as musical director,
supervisor and special effects wizard. You can go to www.imdb.com or
Google for additional details.
- Plan
9 From Outer Space -1959
- Night
of the Ghouls - 1959
- Assignment
Outer Space - 1960
- Hercules
Conquers Atlantis -1961
- The
Phantom Planet -1961
- First
Spaceship on Venus -1962
- Mutiny
in Outer Space -1965
- The
Human Duplicators - 1965
- Navy
Versus the Night Monsters -1966
- Women
of the Prehistoric Planet -1966
An
MGM romantic comedy starring Doris Day as a wannabe-mom was Gordon’s
first brush with an A-list project. Tunnel of Love gave him what he
needed: the credibility to land future paychecks, in this case with
TV westerns. When they were yanked, my uncle paid the mortgage furnishing
music and sound effects for sitcoms and cartoons that blared nonstop
from America’s living rooms before anyone had heard of cable.
Gigs from the Woody Woodpecker Show, thanks to Gordon’s improbable
friendship with Walter Lantz, came in handy in the dead times. By the
mid-1960s, my uncle was chumming with a different breed – Gentle
Ben, cross-eyed lions, Chuck Connors and the outdoor adventure world
of eccentric producer Ivan Tors. Gordon must have wondered why he ever
left Ivan’s side when he burned out on Hollywood in the early
1970s, deciding he’d be the kingpin of nascent South African
TV instead.
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